Rurouni kenshin ova samurai x trust and betrayal in the workplace
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- 2 Окт, 2012
- 5
It keeps the fast, gritty pace of Hong Kong action cinema while balancing Shakespearean drama, feverish action and political intrigue. It prioritizes accessibility without contrivance or need for knowledge in Japanese politics or culture.
Set ten years before Rurouni Kenshin: Origins , Himura Kenshin works as a political assassin for the Choshu, a group of Anti-Shogunate revolutionaries, working to overthrow the Shogun and bring upon the Meiji Restoration. An era of brutality and unrest, the visual language of the entire film articulates this with muted earth tones and frigid blues. Kenshin appears here as a reaper, donned in black through most of the film, emblematic of his anonymous moniker as Battosai, supported by lead actor Takeru Satoh with a performance that is a dark mirror to his presence as Kenshin in years past.
Through costuming, art direction, and performance, the film deftly explores the grey area of morality in each of its characters, and much of that color is exhaled by Tomoe, whose mysterious story is slowly unfurled. They present her as a character Kenshin perceives with a pure, phantasmal presence in contrast to the horrors of war around him. He remains in a perpetual state of dissociation in light of the death he brings nightly for the sake of peace. As a result, he withdraws from his colleagues in the rebellion and becomes a recluse.
As he wields a sword like a frenzied demon in the streets of Kyoto, his disposition subsequently softens and mellows into a domestic life with Tomoe following a pivotal midpoint. Kenshin and Tomoe are extensions of one another in how love and hate are two sides of the same coin: Kenshin is consumed only by death, and Tomoe, lamenting a lost love through an obsessive desire for revenge.
It leaves them as two shattered souls, once idealistic, now living in ghostly, broken hearted contradiction. While the TV series emphasizes the effect and abilities of the techniques of these styles, Tsuiokuhen brings realistic swordplay into its story. Another noticeable changeover is the expressions of its characters: although in the TV series these characters are serious but still have comedic tendencies, all this is removed in these OVAs, leaving a serious tone for its story.
In addition to these changes, Tsuiokuhen also has more of an emphasis on its setting through its animation. It is undeniably Japan under the Tokugawa Regime, the banners of the Samurai, rags worn by the slaves, and everything down to the buildings and clothes. Sound - 9. The voices of the characters are just another reason as to why this anime has a grim depiction as many are cold and basically emotionless, while other characters have either normal voice expressions or even upbeat tones.
With such great story, characters, and animation, Tsuiokuhen could have easily loosened the reigns in the sound department, but instead this show doesn't stop short. The great sound selections really finalize and add polish to an already great show with the final result being a true masterpiece.
Characters - 10 Tsuiokuhen provides the foundation for what becomes one of anime's most likable and well developed characters in Himura Kenshin. A focus of this anime is Kenshin's growth as he transitions from adolescence to adulthood and his struggle as he comes to terms with his role in the world. Newcomers to the Rurouni Kenshin scene will be introduced to a wide variety of unique characters who play a prominent role throughout Kenshin's life.
The swordmaster Seijuro Hiko also serves as a counterpoint to Kenshin's idealism with his jaded take on life and his belief that a sword is merely a tool for murder. Those already familiar with Kenshin as the vagrant samurai with a reversed blade sword will be treated to a glimpse into the background of the Hitokiri Battousai, his relationship with Tomoe, and the events that shaped Kenshin and gave direction to his life.
Cameo's by Makoto Shishio and Enishi Yukishiro will seem more noticeable and somewhat nostalgic for those who have seen what they become and the role they play in Kenshin's future.
TheCriticsClub Recommended There's a universally accepted truth as far as anime shounen stories go: nine times out of ten, the manga is better than the anime adaptation.
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| Linebr tutorial mining bitcoins | Tomoe was too strong-minded and instead, decided to try to seek out and kill the assassin who killed Kiyosato. After killing a fellow skilled assassin sometime later, Kenshin meets a beautiful woman named Tomoe who, unknown to him, was Kiyosato's fiancee. In the manga, Nobuhiro Watsuki describes Kenshin's past that's full of strife and hardship, but with a touch of comedy to help tone down the entire seriousness of the situation. Everything comes together to create a phenomenal moment. The great sound selections really finalize and add polish to an already great show with the final result being a true masterpiece. |
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The animation is beautiful. The music is great and fits wonderfully. The dubbing is fantastic I only watched the English dub, so I can't say much about the Japanese acting. Even the sound effects are awesome. This also means that the voice actors are not those of the show, but there aren't very many characters here from the show so that doesn't change much and the actors that they have do a fantastic job. As I said, the story is extremely violent, but just the same, that's not the focus of the story.
Instead it focuses on Kenshin and on his choices in the time of the Revolution that lead to his becoming a Manslayer and then later to swearing never to kill again. The story mainly takes place during the time that Kenshin is the "Manslayer in the Shadows" and shows the events up to the point that he comes out of the shadows and into the open. The term "manslayer" is never actually used in this film. The Japanese term is "hitokiri" and at the end of the film it speaks of "Hitokiri Battousai" i.
Battousai the Manslayer. But throughout the film, Kenshin is referred to as "The Assassin. I never saw a manslayer that killed lots of people as being particularly bad. It's war, that happens. That's what the manslayer in the open is, but the manslayer in the shadows is indeed an assassin and thus arguably a murderer and that helped me to understand why Kenshin was so unhappy about what he had done.
The story does a wonderful job of showing why Kenshin did what he did and how it affected him. The extreme violence just serves to show how nasty it really was to be a manslayer. We are left with no doubt as to who and what Kenshin was and why he did what he did. While the movie doesn't focus on the fighting, we get to see quite a bit of it and the Kenshin here pratically makes the one in the show look like a wuss.
He's absolutely fantastic. About the only time in the show that he comes close to fighting at this level is when he's fighting Saito towards the beginning of the Kyoto Arc. The fight scenes are absolutely fantastic. After watching this, you'll just about have to agree with Saito that Kenshin the Wanderer is pathetic in comparison to the Battousai.
Vision on January 27 and March 17, Furthermore, while it surpasses the original television series in many ways, it remains complementary and insightful to why Kenshin becomes the way he is. After all, nothing builds character quite so well as a stirring tragedy. It doesn't get much more tragic or stirring than this. Mike Crandol noted it as one of the greatest OVA series of all time, celebrating the new characters designs as well as the fights scenes which were also noted to be "terribly bloody" and beautiful at the same time.
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